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Sydney Dufka

Costume Designer

  • Costume Design
  • Graduate School Theoretical Projects
  • Fashion
  • Fine Art
  • Millinery
  • About
  • Resume

Natasha, Pierre & The Great Comet of 1812

Spring 2026

These renderings started out as fabric analog collages. Then they were put into photoshop and refined. Printed on Bristol paper and inked/gold leafed ontop.

“Chandeliers and caviar, the war can’t touch us here”

The comet’s approach heralds a seismic shift.  Unstoppable inertia re-baptizes Pierre and Natasha.  Helene and Anatole are in the throws of violent passion violent. Euphoric madness consumes all.

Glittering seducing parties evolve into something more real.  Raw and ugly.  Wolves surround our characters.  The ensemble is hungry.  The action can-not be stopped.  The comet is eternal.

Costumes communicate the period through silhouette.  Characters are explored through color and texture. The ensemble will assist in setting the tone for the changing landscapes. They are a etherial entity which can be human or sculpture.

View fullsize 1 Pierre.jpg
View fullsize 2 Natasha1.jpg
View fullsize 3 Natasha2.jpg
View fullsize 4 Natasha3.jpg
View fullsize 5 Natasha4.jpg
View fullsize 6 Sonya1.jpg
View fullsize 7 Sonya2.jpg
View fullsize 8 Marya.jpg
View fullsize 9 Anatole.jpg
View fullsize 10 Helene1.jpg
View fullsize 11 Helene2.jpg
View fullsize 12 Dolokohv.jpg
View fullsize 13 Andrey.jpg
View fullsize 14 Bolkonsky.jpg
View fullsize 15 Mary.jpg
View fullsize 16 Balaga.jpg
View fullsize 17 Opening Ensemble.jpg
View fullsize 18 Opera Ensemble.jpg
View fullsize 19 Ball Ensemble.jpg